20/21 Sampler - Susan Humphrey

Following the great success of The Big Stitch in 2012, the Ashmolean Museum and the Embroiderer’s Guild decided to host a second day in conjunction with the Eye of the Needle exhibition. As part of that event, SEW Region held a members’ competition to create a “Modern Sampler”.

Oxford Branch submitted a group entry. Nine members contributed ten A5 textile pages each completed using a different technique. Traditional hand embroidery techniques were used on five of the pages (the 20’s), the other five (the 21’s) used contemporary textile art techniques.

© Susan Humphrey

Traditional gold work.

20/21 Sampler - Margaret Craig

Following the great success of The Big Stitch in 2012, the Ashmolean Museum and the Embroiderer’s Guild decided to host a second day in conjunction with the Eye of the Needle exhibition. As part of that event, SEW Region held a members’ competition to create a “Modern Sampler”.

Oxford Branch submitted a group entry. Nine members contributed ten A5 textile pages each completed using a different technique. Traditional hand embroidery techniques were used on five of the pages (the 20’s), the other five (the 21’s) used contemporary textile art techniques.

© Margaret Craig

Traditional hand embroidery stitches.

20/21 Sampler - Jo McLean

Following the great success of The Big Stitch in 2012, the Ashmolean Museum and the Embroiderer’s Guild decided to host a second day in conjunction with the Eye of the Needle exhibition. As part of that event, SEW Region held a members’ competition to create a “Modern Sampler”.

Oxford Branch submitted a group entry. Nine members contributed ten A5 textile pages each completed using a different technique. Traditional hand embroidery techniques were used on five of the pages (the 20’s), the other five (the 21’s) used contemporary textile art techniques.

© Jo McLean

Florentine work, also known as flame stitch and bargello.

20/21 Sampler - Jane Travis

Following the great success of The Big Stitch in 2012, the Ashmolean Museum and the Embroiderer’s Guild decided to host a second day in conjunction with the Eye of the Needle exhibition. As part of that event, SEW Region held a members’ competition to create a “Modern Sampler”.

Oxford Branch submitted a group entry. Nine members contributed ten A5 textile pages each completed using a different technique. Traditional hand embroidery techniques were used on five of the pages (the 20’s), the other five (the 21’s) used contemporary textile art techniques.

© Amanda Smith

© Amanda Smith

© Amanda Smith

Designed using Pfaff software and then stitched using the embroidery unit attached to the sewing machine.

20/21 Sampler - Gaby Lloyd

Following the great success of The Big Stitch in 2012, the Ashmolean Museum and the Embroiderer’s Guild decided to host a second day in conjunction with the Eye of the Needle exhibition. As part of that event, SEW Region held a members’ competition to create a “Modern Sampler”.

Oxford Branch submitted a group entry. Nine members contributed ten A5 textile pages each completed using a different technique. Traditional hand embroidery techniques were used on five of the pages (the 20’s), the other five (the 21’s) used contemporary textile art techniques.

© Gaby Lloyd

A traditional piece of embroidery featuring hand stitching in pulled thread work. The outlines are worked in whipped chain stitch.

20/21 Sampler - Gaby Lloyd 1

Following the great success of The Big Stitch in 2012, the Ashmolean Museum and the Embroiderer’s Guild decided to host a second day in conjunction with the Eye of the Needle exhibition. As part of that event, SEW Region held a members’ competition to create a “Modern Sampler”.

Oxford Branch submitted a group entry. Nine members contributed ten A5 textile pages each completed using a different technique. Traditional hand embroidery techniques were used on five of the pages (the 20’s), the other five (the 21’s) used contemporary textile art techniques.

© Amanda Smith

A modern, experimental piece, featuring painting and gilding on cotton fabric with the numbers applied by sewing machine using a netted fibre.

20/21 Sampler - Fiona Beresford

Following the great success of The Big Stitch in 2012, the Ashmolean Museum and the Embroiderer’s Guild decided to host a second day in conjunction with the Eye of the Needle exhibition. As part of that event, SEW Region held a members’ competition to create a “Modern Sampler”.

Oxford Branch submitted a group entry. Nine members contributed ten A5 textile pages each completed using a different technique. Traditional hand embroidery techniques were used on five of the pages (the 20’s), the other five (the 21’s) used contemporary textile art techniques.

© Fiona Beresford

Contemporary bead work incorporating discarded pieces of modern technology.

20/21 Sampler - Elaine Steele

Following the great success of The Big Stitch in 2012, the Ashmolean Museum and the Embroiderer’s Guild decided to host a second day in conjunction with the Eye of the Needle exhibition. As part of that event, SEW Region held a members’ competition to create a “Modern Sampler”.

Oxford Branch submitted a group entry. Nine members contributed ten A5 textile pages each completed using a different technique. Traditional hand embroidery techniques were used on five of the pages (the 20’s), the other five (the 21’s) used contemporary textile art techniques.

© Elaine Steele

© Elaine Steele

© Elaine Steele

Machine made ‘lace’ combining a variety of fabric and thread fragments and free machine embroidery.

20/21 Sampler - Carol-Anne Conway

Following the great success of The Big Stitch in 2012, the Ashmolean Museum and the Embroiderer’s Guild decided to host a second day in conjunction with the Eye of the Needle exhibition. As part of that event, SEW Region held a members’ competition to create a “Modern Sampler”.

Oxford Branch submitted a group entry. Nine members contributed ten A5 textile pages each completed using a different technique. Traditional hand embroidery techniques were used on five of the pages (the 20’s), the other five (the 21’s) used contemporary textile art techniques.

© Carol-Anne Conway

Canvas work using a variety of stitches chosen to work together on diagonal lines. Worked in monochrome to allow the texture of the stitches to be the focus.

20/21 Sampler - Amanda Smith

Following the great success of The Big Stitch in 2012, the Ashmolean Museum and the Embroiderer’s Guild decided to host a second day in conjunction with the Eye of the Needle exhibition. As part of that event, SEW Region held a members’ competition to create a “Modern Sampler”.

Oxford Branch submitted a group entry. Nine members contributed ten A5 textile pages each completed using a different technique. Traditional hand embroidery techniques were used on five of the pages (the 20’s), the other five (the 21’s) used contemporary textile art techniques.

© Amanda Smith

Fabric hand printed and dyed using thermofax screens and tea/indigo dyeing. Machine stitched using motifs from the thermofax screens of Queen Anne’s lace. 21 cut out and bonded onto background then machine stitched in place.